Go go squid, Recap

Go go squid episode 32 – Recap

That morning, Han Shangyan received a call from Mi Shaofei and rushed to Buff’s residence. As a result, Buff had just bid farewell to his old friend on the battlefield and went to the station. At this point, Han Shangyan still didn’t give up. He rushed to the station, just shouting Buff’s Chinese name, Bi Dongran. The professional players who played against each other in the past are now talking about business cooperation. The two naturally reached an agreement. And in order to avoid shaking the military spirit in the finals, after signing the contract, Buff stayed at Xiaomi during this period, not in the club.

When Han Shangyan finished talking about Buff with Mi Shaofei, he talked in the club that Tong Nian’s desired anniversary gift was marriage. This shocked Mi Shaofei, and also stunned his 97 chin on the sofa. The funny thing is that as soon as 97 knows it, the whole club knows it.  At this moment, in the dormitory, Tong Nian knew that Han Shangyan planned to marry Tong Nian, and Tong Nian was also willing to marry Han Shangyan, but because he could not get Tong’s mother’s approval, Tong Nian sighed and laughed. sound. This makes Yaya also persuade not to listen to this age-crossing love.

After that, Yaya went to Tong Nian to help Xiao Mi clean up the house and let Buff move in smoothly. During the tidying up period, Han Shangyan only let Tong Nian stay in the shade, showing his most gentle and considerate side in front of his little girlfriend. After cleaning up, Mi Shaofei, Yaya, Han Shangyan, and Tong Nian drank and ate with Buff. Buff drank a bit, and began to feel that Han Shangyan was just one step short of it that year. After entering the World Championships, he won the world championship representing China, but Han Shangyan chose to retire at that time.

After the wine bureau, Tong Nian drove back to the club in a Han Shangyan car. It was extremely thrilling along the way, Han Shangyan willingly put his life in Tong Nian’s hands. Because Tong Nian only got his driver’s license, driving a car with automatic transmission in Hanshangyan was extremely nervous. In the end, he finally reached the club’s parking garage, but Tong Nian confuses the reversing into the garage with the side parking, and he can’t get in. This caused Han Shangyan to laugh so fondly that he had to let Shen Zhe come down and park the car. When Shen Zhe went to call a car for his sister-in-law, Tong Nian thought that both Shen Zhe and the club aunt knew that Han Shangyan was going to marry Tong Nian.

This shows that Hanshangyan is serious, and the current situation is that Hanshangyan believes that as long as you persuade Tong’s father and Tong’s mother, everything will be well and good. Tong Nian began to worry that Han Shangyan had been worrying about the club budget before. This marriage would definitely cost a lot of expenses. Tong Nian did not want to be a burden on Han Shangyan. However, when Tong Nian expressed his concern about the lack of money, Han Shangyan thought that Tong Nian was worried that if he didn’t work at this critical moment, the matter between the two of them would definitely fall through. At the same time, the team members knew that the boss and sister-in-law were planning to get married, so Shen Zhe deliberately said that it was too late to get a taxi and asked the boss to stay with the sister-in-law for the night.

However, because Tong Nian and Han Shangyan had a disagreement over the marriage, the two had a small frictional quarrel. As soon as Hanshangyan went out to breathe, Tong Nian fell on Hanshangyan’s bed and regretted what he said. After Han Shangyan went out, he also felt that he was a man and wanted to give way to a little girl.

When Han Shangyan returned to the room, he found that Tong Nian was asleep. Therefore, Han Shangyan put a pillow under Tong Nian’s head and covered him with a quilt. Han Shangyan sat on the floor with his head on the same pillow as Tong Nian.

After waking up, Han Shangyan went to ask Shen Zhe, and remembered that Wang Hao was to buy food to coax Ai Qing back then. Therefore, Hanshangyan extracted the main points from the quarrel last night, that is, Tong Nian is allergic to mango and likes to eat strawberries. Ever since, Han Shangyan went to buy a bunch of strawberry fruits, strawberry macarons, and strawberry cakes to make Tong Nian no longer angry. As a result, when Han Shangyan went to buy these, Tong Nian sat in the Han Shangyan room hungry and thirsty.

Before Hanshangyan and Tong Nian were sorry, Tongnian threw down Hanshangyan and bit Hanshangyan’s lip to play.

Lunile anului

Iulie

“De după dealuri arse şi trudite,
Înalţă creste albe nori de plumb.
S-adună-n iarbă umbre încâlcite
Şi, aspru, geme vântul prin porumb.

Câmpia de paragină şi scrum
Întinde braţe lungi de colb în drum,
Apoi îşi strânge sufletu-n păduri,
Căscând în râpi dogoritoare guri…

Dar norii sterpi coboară-n depărtare,
Şi-abia vibrează dincolo de zare
Un tunet lung, cu prăbuşiri de stâncă…
Iar soarele s-arată alb şi mat,

Şi-ntâia rază de lumină pare
Un fulger mort, ce rătăceşte încă
Pe câmpul prăfuit şi resemnat.” (Iulie – Otilia Cazimir)

Filme si seriale

THE INNOCENT MAN – 2012

Student la medicina inteligent și promițătoare Kang Ma-ru ( Song Joong-ki ), a fost îndragostit toată viața de vecina sa de alături puțin mai în vârstă Han Jae-Hee ( Park Si-Yeon ), un reporter de televiziune . El este un prieten pe care il adora si ea a considerat întotdeauna ca este ca la ea acasa laMa-ru. Dar, atunci când situația ei ia o întorsătură în rău și Jae-hee devine disperată de a scăpa de sărăcie , ea intalneste un om care schimbă totul, bogat ul Seo care o introduce la o viață de confort. Deci, ea ii întoarce spatele lui Ma-ru, alegând bani nu dragostea.
Trădarea brutal il lasă Ma-ru nu numai supărat, ci un om complet schimbat.Câțiva ani mai târziu, Ma-ru este de acum 30 de ani și lucrează ca barman și gigolo , nu mai este un „tip de treabă”. A se întâlnește apoi Seo Eun-gi ( Moon Chae-won ), o tânără moștenitoare care a fost crescuta să preia conglomeratul tatălui ei. Eun-gi este rece și calculata, business-savvy, și a fost crescuta de tatăl ei sa nu aibe sentimente petru nimeni. Dar, Ma-ru o intriga , și ea devine curiosa până când nu se poate opri sa nu se gandeasca la el.
Ma-ru decide să profite de ea ca de un pion în planurile sale de răzbunare, și Eun-gi se îndragosteste de el, nu știe că el o utilizează să se întoarcă la fosta lui iubita Jae-Hee, care se întâmplă să fie tinera, mama vitrega a lui Eun-gi. Doar atunci când Ma-ru începe să aibă grijă cu adevărat de Eun-gi, ea afla adevărul și se despart. Dar un accident de masina o face pe Eun-gi sa-si piarda memoria , iar ea intră din nou viata lui Ma-ru.

Go go squid, Recap

Go go squid episode 31 – Recap

At this time, because of the Buff who lost the game during the day, for the first time in his life, he accepted the loss to Han Shangyan, and left his team card to Han Shangyan so that he must lead the team to win the world championship. And this is a kind of spiritual inheritance, let Han Shangyan lie on his back on the balcony chair, can’t help but think of the brave words of the young and energetic youth of the Solo team ten years ago, in order to win the world championship.

After that night, the leader Mi Shaofei not only won a good leading record, but also the trust and trust of the boys.

In the early morning of the next day, Tong Nian came to the entrance of Hanshangyan’s club. He only used a computer to tease Hanshangyan before letting Hanshangyan go downstairs and open the door for himself. This time I came here because of his victory in the semi-finals. Tong Nian was in love again, and he was ready to bring out the surprise for Han Shangyan in advance. Although Hanshangyan speaks bluntly and incomprehensibly on the surface, it is just the new homepage of K&K’s official website. But in fact, when I learned from Yaya before, Han Shangyan had read this new official website more than a hundred times.

Han Shangyan first made Tong Nian sulking, and then he wanted to kiss him. But at this time, because Mi Shaofei received a short message from Hanshangyan last night, he came over to disturb the good things about Hanshangyan. At that time, Tong Nian, who was young but sensible, also asked Han Shangyan to focus on work.

Then, Han Shangyan talked with Mi Shaofei, and wanted to sign Buff, not only to realize the dream of Buff, but also to improve the average strength of K&K. Just considering that it is necessary to replace the guy with the worst performance in the team behind, Xiaomi and Shangyan are also thinking about this.

When Mi Shaofei went to find out when Buff left Shanghai, Han Shangyan dealt with Norwegian matters downstairs. And Tong Nian got tired of playing with Kitty, so he took the slide to Hanshangyan’s office. The two of them dazzled, which did not affect Hanshangyan’s work in the slightest. When Nanwei from Norway mentioned that the budget was not enough, Hanshang said that if this is the case, China would figure out its own way. Because he was driving the speakerphone, Tong Nian also heard it, so he volunteered to Han Shangyan, “I will support you”.

In the evening, Han Shangyan sent Tong Nian to Tong’s door. At the time of the parting, Tong Nian walked around the window of Hanshangyan, looked at Hanshangyan with affectionate eyes, and gently stroked Hanshangyan’s frowning brows. This made  Han Shangyan involuntarily stick his head out of the car window and hug Tong Nian. When Tong Nian reluctantly entered the house, Han Shangyan met the security guard the last time he climbed the tree. After hearing the words of the security guard, Han Shang could not help but squat at Tong’s house for the whole night.

And the next day, Tong Nian sent a message saying that this was the four-month anniversary of our acquaintance and missed you so much. Han Shangyan said that he would come down if he thought of me. Tong Nian turned over and got out of bed, dressed in pajamas, put on his jacket and rushed out of the house. Seeing Hanshangyan, Tong Nian jumped to Hanshangyan excitedly, and this scene was captured by passers-by. In the Hanshangyan car again, Tong Nian felt so happy that he could hardly breathe. When Han Shangyan asked Tong Nian what kind of anniversary gift he wanted, Tong Nian said he would never break up. This made Han Shangyan start to tease Tong Nian seriously, saying that there are many obstacles to getting married now. One of them is Tong’s mother.

Afterwards, the two of them also avoided Tong’s father walking the dog in fear. After a baptism of love, Han Shangyan took Tong Nian a lot of mature and serious in the eyes of Tong’s father.

Lunile anului

Iunie

“Se coc cireşele în pom
Şi grânele se pârguiesc.
Râde la soare pui de om
Ca florile când înfloresc.

E zâmbetul nevinovat
Al tău, copile drăgălaş.
Copilul meu cel răsfăţat,
Copilul meu, drag îngeraş.

Copiii sunt florile vieţii.
Sunt aura care se pune,
Precum zorii dimineţii
Peste o întreagă lume.

Copil bălai, negru sau brun,
Te vreau aievea să zâmbeşti.
Să ai în viaţă suflet bun!
Cât e pământul să trăieşti!

În iunie, de ziua ta
Tot ce-i mai bun îţi dăruiesc
Când creşti mare, nu uita
Că te ador şi te iubesc.“ (În iunie de ziua ta – Dumitru Delcă)

Recap, The lost tomb: The mystic nine

The lost tomb: The Mystic Nine episode 26 – Recap

Ba Ye has accompanied doctor Mo Ce over to the Hong mansion. Mo Ce gives him some medicine and he wakes up, thinking she’s Yatou in his muddled state.  She goes out to fix some warm towels. Ba Ye thinks it’s time Er Ye told him a bit more about what happened to him in the tomb, but he won’t. He just tells Ba Ye to go to his secret room and burn it to the ground. Ba Ye studies the model of the tomb, wondering about the size of it. It’s  far bigger than they thought. He douses everything in gasoline and lights it up. However, one notebook falls to the floor.

At the bordello, that soldier they are targeting Chen Ye finally makes an appearance. Sure, cause he got paid by Fo Ye for keeping quiet. It doesn’t take long and he starts telling them about a huge treasure in the mines outside Changsha and how not even Fo Ye and Er Ye made it out unscathed. It’s soon the talk on the streets, that there is a huge treasure. Chen Pi made sure that people think that Zhang Da Fo Ye wants to keep it all for himself. That’s clever, it’s probably Hendry’s plan. Chen Pi goes to the mine himself, but can’t find an entrance.

At the Zhang mansion,  Fo Ye hears strange things and has weird seizures.

Chief Lu finds it highly amusing that the whole of Changsha now speaks badly of Fo Ye and Madame Huo thinks it’s time for the next step, which involves her visiting Fo Ye. But when she gets increasingly rude, accusing him of trespassing on her territory, thus breaking the rules of the Nine Gates and then demands to be handed all the information about the mines, he loses it. He definitely made a mistake. Madame Huo flees, furious, but I got to tell you, Fo Ye really isn’t himself these days.

He goes to see Ba Ye. But Ba Ye isn’t affected like Fo Ye is. Fo Ye feels he is losing control over his own body. Luckily, Ba Ye has a „protective copper mirror” from his very talented ancestors, who can drive away evil and darkness. It can reflect ferocious ghosts and make them show their true forms. And all of a sudden, his mirror image changes into the face of his father.

Fo Ye is assaulted by horrible memories, of him running away from the Japanese in the forest, with people from his family. His father is shot multiple times in front of him. He takes one last, sad look at his dead father when all of a sudden, a Qilin appears. This is the „monster” the people in the mines were so afraid of. The other monster, not the hair monster. Ba Ye finds him in a trance and really has to shake him out of it.

Chief Lu pays Fo Ye a visit, super friendly, as always, but he talks about the „higher-ups” and how they have heard about that evil rumor about Fo Ye and the mines. Visual Zhang puts two and two together: Lu and Madame Huo are now working together. Right, now it also makes sense to them that Xie Jiu Ye’s business abroad run into troubles.

Chief Lu moves against Er Ye next. They tear him out of bed and arrest him at gunpoint.  Chen Pi is quite outraged, but that sentiment doesn’t last long. After all, Er Ye let the Mistress die like that.

Fo Ye hears about this immediately and goes over to Lu’s house. He demands that Er Ye is let go, but Lu claims he had to capture him because he has info on the ancient tomb. They have a witness. He basically tells Fo Ye to admit he went into the tombs, which Fo Ye does not want to do. He threatens Lu if he harms Er Ye, but he just laughs at him.

Monumente istorice din Romania

Monumente istorice jud Alba, România – Biserici din secolele XIX-XX / Historical monuments Alba, Romania – Churches from the 19th – 20th centuries

Biserica de lemn din Copand

Biserica de lemn din Copand, comuna Noșlac, județul Alba, datează din anul 1803. În 1856 a fost strămutată în Copand și modificată. Înfățișează varianta tipologică, de veche tradiție, regăsită pe întreaga arie de formare a poporului, român, a navei dreptunghiulare, cu absida în prelungire, poligonală cu trei laturi. Acoperirea interioară, a acesteia din urmă, cu o boltă semicilindrică și trei fâșii curbe, este la aceeași înălțime cu aceea a naosului, amintind o structură veche. Elementele constructive menționate, secondate de tradiție, înlătură data de 1856 pentru înălțarea bisericii, ea reprezentând de fapt strămutarea de pe deal a lăcașului străbun, amplificarea sa spre vest, împodobirea pereților prin „zugravii Șarlea Ștefan și Șarlea Matei frați de la Feisa”.

The wooden church from Copand, Noșlac commune, Alba county, dates from 1803. In 1856 it was moved to Copand and modified. It depicts the typological variant, of old tradition, found on the entire area of ​​formation of the Romanian people, of the rectangular nave, with the apse in extension, polygonal with three sides. The interior cover of the latter, with a semi-cylindrical vault and three curved strips, is at the same height as the nave, reminiscent of an old structure. The mentioned constructive elements, seconded by tradition, remove the date of 1856 for the erection of the church, it actually representing the relocation of the ancestral place from the hill, its amplification to the west, the decoration of the walls by „painters Șarlea Ștefan and Șarlea Matei brothers from Feisa”.

Catedrala Reîntregirii Neamului

Catedrala Reîntregirii Neamului din Alba Iulia, cunoscută şi sub numele „Catedrala Încoronării”, este un monument istoric de importanţă naţională, simbol al reîntregirii României şi a Unirii. Aici au fost încoronaţi regele Ferdinand I şi regina Maria în 15 octombrie 1922 în calitate de suverani ai României Mari. A fost construită între anii 1921-1922, în stil neo-românesc, cu elemente de tradiţie bizantină. Ansamblul format din catedrala, turnul clopotniţă şi clădirile aferente, a fost proiectat de arhitectul Victor Gh. Ştefănescu şi a fost executat de inginerul Tiberiu Eremia. Planul bisericii este cel al Bisericii Domneşti din Târgovişte, în formă de cruce greacă cu absidă, naos şi pridvor deschis. Incinta are formă dreptunghiulară cu patru corpuri de clădiri pe colţuri şi clopotniţă masivă în partea de vest pe sub care a fost amenajată intrarea în incintă. Corpurile sunt legate prin galerii deschise şi susţinute de stâlpi octogonali. Turnul-clopotniţă are o înălţime de 58 de metri. Ansamblul de înscrie între monumentele create de Şcoala Românească de arhitectură întemeiată de arhitectul Ion Mincu. Pictura interioară a fost realizată de către Costin Petrescu, iar mozaicurile de Ion Norocea. Până în 1948 aici a fost sediul episcopiei armatei române, din octombrie 1998 a devenit sediul Arhiepiscopiei de Alba Iulia.

The Cathedral of the Reunification of the Nation in Alba Iulia, also known as the „Coronation Cathedral”, is a historical monument of national importance, a symbol of the reunification of Romania and the Union. Here, King Ferdinand I and Queen Maria were crowned on October 15, 1922 as sovereigns of Greater Romania. It was built between 1921-1922, in neo-Romanian style, with elements of Byzantine tradition. The ensemble formed by the cathedral, the bell tower and the afferent buildings, was designed by the architect Victor Gh. Ştefănescu and was executed by the engineer Tiberiu Eremia. The plan of the church is that of the Royal Church from Târgovişte, in the shape of a Greek cross with apse, nave and open porch. The enclosure has a rectangular shape with four buildings on the corners and a massive bell tower on the west side under which the entrance to the enclosure was arranged. The bodies are connected by open galleries and supported by octagonal pillars. The bell tower is 58 meters high. The ensemble of inscriptions between the monuments created by the Romanian School of Architecture founded by the architect Ion Mincu. The interior painting was made by Costin Petrescu, and the mosaics by Ion Norocea. Until 1948 it was the headquarters of the Romanian army diocese, from October 1998 it became the headquarters of the Archdiocese of Alba Iulia.

Biserica „Schimbarea la Față” (Suseni) din Almașu Mare

Edificiul, ridicat în secolul al XIX-lea (1822-1826), din ziduri de piatră și bolți de cărămidă, se compune dintr-o absidă hexagonală, naos dreptunghiular, turn clopotniță cu trei nivele, cu foișor de lemn la partea superioară și coif piramidal de tablă. Pridvorul de pe fațada de vest a turnului a fost adăugat ulterior. În interior biserica a fost pavată cu lespezi de piatră. Pictura veche, realizată de Para Vasile Zugrav, în 1835, se mai păstrează doar în altar, restul interiorului fiind pictat la o dată recentă (1990-1994). Remarcabil este iconostasul, placat cu icoane pe sticlă de Făgăraș, realizate între anii 1834 și 1835, de Ioan Pop Zugrav, chemat în zonă de preotul de atunci al bisericii, Aron Oprea.

The building, built in the 19th century (1822-1826), made of stone walls and brick vaults, consists of a hexagonal apse, a rectangular nave, a three-level bell tower, with a wooden gazebo at the top and a helmet. tin pyramid. The porch on the west façade of the tower was later added. Inside the church was paved with stone slabs. The old painting, made by Para Vasile Zugrav, in 1835, is still preserved only in the altar, the rest of the interior being painted at a recent date (1990-1994). Remarkable is the iconostasis, covered with icons on glass by Făgăraș, made between 1834 and 1835, by Ioan Pop Zugrav, called in the area by the then priest of the church, Aron Oprea.

Biserica Buna Vestire din Cergău Mare

Lăcașul a fost construit la începutul secolului al XIX-lea ca biserică greco-catolică din districtul protopopesc al Blajului. Construcția a fost finalizată în anul 1804, în stil neoromanic, cu un turn baroc, care evocă turnurile Catedralei din Blaj. Biserica este construită din cărămidă și acoperită cu țiglă. Trebuie remarcat faptul că, deoarece biserica se află chiar în centrul comunei, aici au fost ridicate mai multe mici monumente funerare, închinate eroilor din sat, care s-au jertfit pentru patrie, în mai multe conflagrații.

The place was built at the beginning of the 19th century as a Greek-Catholic church in the archdiocesan district of Blaj. The construction was completed in 1804, in neo-Romanesque style, with a baroque tower, which evokes the towers of the Cathedral of Blaj. The church is built of brick and covered with tiles. It should be noted that, because the church is located right in the center of the commune, several small funerary monuments were erected here, dedicated to the heroes of the village, who sacrificed themselves for their country, in several conflagrations.

Biserica romano-catolică din Roșia Montană

Biserica romano-catolică din Roșia Montană este un monument istoric aflat pe teritoriul satului Roșia Montană, comuna Roșia Montană.

The Roman Catholic Church in Roșia Montană is a historical monument located on the territory of Roșia Montană village, Roșia Montană commune.

Biserica Învierea Domnului din Sebeș

Arhitect și constructor al bisericii a fost meșterul Antal Balog din Cluj, cel pe care un an mai devreme l-au angajat și greco-catolicii, pentru construirea Bisericii Bob, situată în imediata vecinătate. Din 1851 până în 1895 paroh al bisericii și protopop ortodox de Sebeș a fost Ioan Tipeiu (1818-1898).

The architect and builder of the church was the master Antal Balog from Cluj, the one who a year earlier was also hired by the Greek Catholics, for the construction of the Bob Church, located in the immediate vicinity. From 1851 to 1895 the parish priest of the church and the Orthodox archpriest of Sebeș was Ioan Tipeiu (1818-1898).

Biserica Adormirea Maicii Domnului din Șibot

Edificiul are o arhitectura aparte, aceasta explicandu-se prin participarea la constructie a unor lucratori italieni participanti la lucrarile de cale ferata din zona. Biserica a fost inceputa in anul 1826, constructia sa durand peste 10 ani.

The building has a special architecture, this being explained by the participation in the construction of some Italian workers participating in the railway works in the area. The church was started in 1826, its construction lasting over 10 years.

Lunile anului

Mai

“În dulcea lună Mai când iarba-n câmp răsare
Şi vesel de plăcere tot sufletul tresare,
Eu singur în mâhnire, în suferinţi şi chin
Vărs lacrimi de durere şi mult amar suspin.

În dulcea lună Mai când tainic luna plină
Şi mii de mii de stele pământul însenină
Pe cerul vieţii mele s-adună negri nori
Ce-ntunec-al meu suflet şi-l umplu de fiori.

În dulcea lună Mai când păsările cântă
Şi armonii divine natura toat-încântă
În mine-un glas de jale se plânge disperat
Ca viscolul de iarnă ce urlă-nfricoşat.

În dulcea lună Mai când dulci şi calde raze
Din soare se coboară şi totul înviază
Eu palid, in tăcere, plec fruntea la pământ
Şi-ndrept a mele gânduri spre recele morment.” (În dulce lună mai – Iacob Negruzzi)

Ziarul Lumina

Nemuritori

“Mi-a fost și încă îmi este greu să cred că timpul nu poate fi atins cu mâna, că vine și pleacă mereu, fiind ceva ce trece întruna, dar fără să poată fi văzut. Poate că nu trecea pe drum, cum făceau oamenii, pe care îi vedeam de la fereastra odăii de la stradă trecând. Până și ninsoarea o vedeam tot de acolo, când ne pomeneam cu ea venind. Și mai vedeam ploile scurte de vară, ce se repezeau din senin, umbra colorată a curcubeului, ce se repezea după ploaie, umbrele păsărilor călătoare, primăvara, și umbrele înserării, în fiecare zi.

Nu-mi zicea nimeni să mă uit la bătrânețea oamenilor. Iar dacă n-am văzut bine, să mă uit la moartea lor. Acestea păreau să fie cele mai clare dovezi ale faptului că timpul trecea. Pe oriunde i se năzărea lui. Și i se năzărea să treacă aproape peste tot. Chiar și pe drum, unde ar fi trebuit să-l văd, dar nu-l vedeam.

Atunci când am înțeles că anul ce se sfârșise și anul ce urma să înceapă aveau legătură cu timpul care trecea, m-am gândit cu mintea mea de copil așa:
Vine cineva peste noapte și descarcă în curtea fiecărei case un car vârfuit cu timp. Câte o grămadă de timp pentru fiecare om dinăuntrul casei respective. La noi lăsa carul trei grămezi, două mai mari, pentru mama și tata, și una mai măruntă, pentru mine. Îmi închipuiam pe atunci că anii copiilor sunt mai mici decât anii oamenilor mari, deși, dacă mi-aș fi pus un pic mai mult mintea la contribuție, ar fi trebuit să-mi dau seama că anii sunt la fel pentru toți. Mai puțin anii celor bătrâni, care se făceau din ce în ce mai scurți, până dispăreau cu totul.

Marea problemă cu grămezile pe care le primeam în zorii noului an era că trebuia să-i ajungă fiecăruia grămada lui până începea anul celălalt. D-aia și mureau unii oameni de tineri, nu-și chiverniseau cum se cuvine grămada ce le aparținea și rămâneau, înainte de a primi o grămadă nouă, fără timp. Când se întâmpla un astfel de lucru, ce altceva îți mai rămânea de făcut decât să mori? Unii ajungeau la sfârșitul anului cu grămada neterminată. Unde se duceau grămăjoarele de timp rămase, nu știu. Că nu se amestecau niciodată cu timpul primit în contul noului an.

S-a risipit o groază de timp în acest fel. Să fi putut vedea unde, l-aș fi strâns cu mare grijă, împărțindu-l oamenilor din satul meu, astfel încât unii dintre ei, între care și mama, și tata, să poată deveni nemuritori.” (Stefan Mitroi – Ziarul Lumina)